García Gayo, Elena, Melero García, Sandra. Arte urbano y muralismo contemporáneo, un dilema para la gestión de proyectos de conservación -restauración. Las profesiones del patrimonio cultural. (2018) GE-IIC. ACRE
Talking about historical artistic heritage, we directly refer to the collective and the society cultural property which are necessary to establish the cognitive and the informational links. As the independent artistic proposals have appeared in the cities, the heritage concept has evolved and the professional actors that establish contact with the heritage need to update their own cultural competences. When it gets into the contact with the Conservation-Restoration processes, it involves a common interest recognition act. This, in its environment, can generate the self-destructive process based on economic interests: the opposite to the goods essence fact that is to be preserved. In Street Art, muralism and contemporary artistic initiatives, the art pieces are no longer preserved for eternity, but to survive the generation which has created them. In this process the digital records are made. En Monográfico: Las Profesiones del Patrimonio Cultural. Competencias, formación y transferencia del conocimiento:reﬂexiones y retos en el Año Europeo del Patrimonio Cultural.
Santabarbara Morera, Carlota (2018) Street art conservation: beyond mural. Opus n.s. n. 2
García Gayo, Elena. (2018) Arte Urbano. Herencia cultural.
The urban art, the muralism and the contemporary artistic manifestations evolution in the urban space will leave milestones in the memory of the cities, and especially in the mature age of the present teenagers, who are being formed visually in artistic creations that are easy to understand, accessible and communal. As alternative to the traditional circuit broadcasting formula and with its own spaces, the urban art and all its variants will become the subject of global study by the work of some outstanding artists. The Conservation Restoration and the maintenance of these artistic proposals are pointing to survive the generation that has created them without targeting the eternity. This is the reason why its particularities are not easy to decode and understand. This paper is analyzing the terminology baseline and its particularities that can serve as a guideline to setup for the conservation actions protocol. It can provide a support to establish the criteria to apply before, during and after the Conservation Restoration actions.
En VI Congreso GEIIC ¿Y después? Control y mantenimiento del Patrimonio Cultural, una opción sostenible.
García Gayo, Elena. (2018) Arte Urbano y museo. Un binomio a debate (2018) Ensayos Urbanos.
Calvo Irene. (13 de octubre de 2015)
El Observatorio de Arte Urbano: ¿se puede conservar lo efímero?. MADRIZ